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A fan of the literary character, often seen re-reading and referencing the novels on set, Dalton determined to approach the role and play truer to the original character described by Fleming. His 007, therefore, came across as a reluctant agent who did not always enjoy the assignments he was given, something seen on screen before, albeit obliquely, only in George Lazenby's On Her Majesty's Secret Service. In The Living Daylights, for example, Bond tells a critical colleague, "Stuff my orders! ... Tell M what you want. If he fires me, I'll thank him for it." In Licence to Kill, he resigns from the Secret Service in order to pursue his own agenda of revenge. Steven Jay Rubin writes in The Complete James Bond Movie Encyclopaedia (1995):
"Unlike Moore, who always seems to be in command, Dalton's Bond sometimes looks like a candidate for the psychiatrist's couch – a burned-out killer who may have just enough energy left for one final mission. That was Fleming's Bond – a man who drank to diminish the poison in his system, the poison of a violent world with impossible demands.... [H]is is the suffering Bond."
